After Degas, Woman Combing Her Hair
       
     
After Degas, Woman Combing Her Hair
       
     
After Vincent Van Gogh, Rocks and Trees, Montmajour
       
     
After Vincent Van Gogh, Rocks and Trees, Montmajour
       
     
After Luca Cambiaso
       
     
After Antoine Watteau, A woman in a striped dress, seen from behind, reclining on the ground
       
     
After Antoine Watteau, A woman in a striped dress, seen from behind, reclining on the ground
       
     
Prince tribute April 21st copy after Goya underpainting day 3
       
     
Manuel Osorio Manrique de Zuñiga (1784–1792) Underpainting day 2
       
     
Manuel Osorio Manrique de Zuñiga (1784–1792) Underpainting start
       
     
After Parmigianino (Francesco Mazzola) Study of Drapery
       
     
After Rembrandt Harmenszoon van Rijn
       
     
After Rembrandt Harmenszoon van Rijn
       
     
After Michelangelo
       
     
After Degas, Woman Combing Her Hair
       
     
After Degas, Woman Combing Her Hair

Laurie M. (born Minneapolis, MN)

After Degas, Woman Combing Her Hair

Medium: Pastel on black wove paper, 1988.

After Degas, Woman Combing Her Hair
       
     
After Degas, Woman Combing Her Hair

Laurie M. (born Minneapolis, MN)

After Degas, grid, Woman Combing Her Hair

Medium: Pencil on tracing paper, 1988.

After Vincent Van Gogh, Rocks and Trees, Montmajour
       
     
After Vincent Van Gogh, Rocks and Trees, Montmajour

Laurie M. (born Minneapolis, MN)

After Vincent Van Gogh, grid, Rocks and Trees, Montmajour

Medium: brown ink applied with bamboo reed pen on arches paper, 29 1/4” x 23 1/2”, 1988.

After Vincent Van Gogh, Rocks and Trees, Montmajour
       
     
After Vincent Van Gogh, Rocks and Trees, Montmajour

Laurie M. (born Minneapolis, MN)

After Vincent Van Gogh, grid, Rocks and Trees, Montmajour

Medium: pencil on tracing paper, 1988.

After Luca Cambiaso
       
     
After Luca Cambiaso

Laurie M. (born Minneapolis, MN)

After Cambiaso, Title Tk

Medium: Ink on white paper, 1987.

After Antoine Watteau, A woman in a striped dress, seen from behind, reclining on the ground
       
     
After Antoine Watteau, A woman in a striped dress, seen from behind, reclining on the ground

Laurie M. (born Minneapolis, MN)

After Antoine Watteau, 1717-1718, grid

A woman in a striped dress, seen from behind, reclining on the ground; leaning on her right hand, her dress extending on the ground to left Red and black chalks, and graphite

Medium: Pencil on paper, 1987.

After Antoine Watteau, A woman in a striped dress, seen from behind, reclining on the ground
       
     
After Antoine Watteau, A woman in a striped dress, seen from behind, reclining on the ground

Laurie M. (born Minneapolis, MN)

After Antoine Watteau, 1717-1718, grid

A woman in a striped dress, seen from behind, reclining on the ground; leaning on her right hand, her dress extending on the ground to left Red and black chalks, and graphite

Medium: Pencil on tracing paper, 1987.

Prince tribute April 21st copy after Goya underpainting day 3
       
     
Prince tribute April 21st copy after Goya underpainting day 3

Laurie M. (born Minneapolis, MN)

Laurie M. was selected to participate in the Metropolitan
Museum of Art's spring Copyist Program in 2017.

Interpretative fragment copy after Francisco de Goya y Lucientes in progress.
(Italian, Milan 1607–1665 Milan)
(Spanish, Fuendetodos 1746–1828 Bordeaux)

Manuel Osorio Manrique de Zuñiga (1784–1792)

Oil on canvas 50 x 40 in. (127 x 101.6 cm)

The Jules Bache Collection, 1949

Accession Number: 49.7.41

Manuel Osorio Manrique de Zuñiga (1784–1792) Underpainting day 2
       
     
Manuel Osorio Manrique de Zuñiga (1784–1792) Underpainting day 2

Laurie M. (born Minneapolis, MN)

Laurie M. was selected to participate in the Metropolitan
Museum of Art's spring Copyist Program in 2017.

Interpretative fragment copy after Francisco de Goya y Lucientes in progress.
(Italian, Milan 1607–1665 Milan)
(Spanish, Fuendetodos 1746–1828 Bordeaux)

Manuel Osorio Manrique de Zuñiga (1784–1792)

Oil on canvas 50 x 40 in. (127 x 101.6 cm)

The Jules Bache Collection, 1949

Accession Number: 49.7.41

Manuel Osorio Manrique de Zuñiga (1784–1792) Underpainting start
       
     
Manuel Osorio Manrique de Zuñiga (1784–1792) Underpainting start

Laurie M. (born Minneapolis, MN)

Laurie M. was selected to participate in the Metropolitan
Museum of Art's spring Copyist Program in 2017.

Interpretative fragment copy after Francisco de Goya y Lucientes in progress.
(Italian, Milan 1607–1665 Milan)
(Spanish, Fuendetodos 1746–1828 Bordeaux)

Manuel Osorio Manrique de Zuñiga (1784–1792)

Oil on canvas 50 x 40 in. (127 x 101.6 cm)

The Jules Bache Collection, 1949

Accession Number: 49.7.41

After Parmigianino (Francesco Mazzola) Study of Drapery
       
     
After Parmigianino (Francesco Mazzola) Study of Drapery

Laurie M. (born Minneapolis, MN)

After Parmigianino (Francesco Mazzola), 1503-1540, Study of Drapery, black and white chalk

Medium: Pencil on tracing paper, 1987.

After Rembrandt Harmenszoon van Rijn
       
     
After Rembrandt Harmenszoon van Rijn

Laurie M. (born Minneapolis, MN)

Rembrandt Harmenszoon van Rijn

Medium: Pencil on tracing paper, 1987.

After Rembrandt Harmenszoon van Rijn
       
     
After Rembrandt Harmenszoon van Rijn

Laurie M. (born Minneapolis, MN)

After Rembrandt Harmenszoon van Rijn

Medium: Ink on paper, 1987.

After Michelangelo
       
     
After Michelangelo

Laurie M. (born Minneapolis, MN)

After Michelangelo, grid

Medium: Pencil on tracing paper, 1987.